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Life
in Sac Prairie cannot differ much from life in any other
village, apart from superficial regional differences.
I thought a long time ago of recording some of the things
which never see the light of day in the local weeklies,
and so the Sac Prairie Journal came into being...it
was meant to be only a record of the lesser-known aspects
of life in Sac Prairie. It was never meant for publication...
--
August Derleth, "Program Note" to Village
Year

The
first volume of Derleth's published journals was Village
Year, published in 1941. Two more appeared before
the last volume, Wisconsin Country, came out
in 1965. Each volume covers up to three years of life
in Sac Prairie and the surrounding country, as observed and
recorded by Derleth.
The
journal is full of variety. Even more so than in Derleth's
novels, there is plenty of acute observation of nature:
wildlife, plants, the weather and the changing seasons.
And the human inhabitants of the region are put under
the microscope and analysed. Comedy and tragedy is played
out in equal measure, and recorded. Meeting me at
the Royal Blue Store today, Orva Dresen observed, "You
know, I think Village Year ought to have been
called Village Fear."
Nothing
seemed to escape Derleth's eye and comment. In Upper
Sac Prairie this evening, I came upon an old sign scrawled
upon a wall along a back street: Landon or Bust!
Beneath it, someone had subsequently written: Bust
then!!
Nothing
seemed to escape Derleth's hearing, whether it is the
death of his grandmother, or the slanderous comments
of the village Roman Catholic priest, or simply the
pretensions of some of Sac Prairie's older residents.
...Miss Ilsa Lahman passed: she who has always had
delusions of grandeur...walking in her characteristic
fashion, as if on eggshells, with the appearance of
a slight limp: a hitch, actually. When asked what
was wrong with Miss Lahman, Jo Merk replied, "She
got that walking up and down the stairs in her medieval
air castles."
Walden
Pond: Homage to Thoreau (1968) was a small book
containing extracts from the journals describing the
three visits that Derleth made to Walden Pond between
1938 and 1965. Derleth compared and contrasted his experience
of Walden with that of Henry David Thoreau. Turning
over his words in this place where, conceivably, they
had taken shape for him, I was made to think of Sac
Prairie, where, I suppose, I engage life in somewhat
similar circumstances, allowing for a century's advance
in time... There are still solitary places in the woods
and the marshes around Sac Prairie where, as Thoreau
found it at Walden, only a railroad can be seen to remind
one of civilization...
Material
from the journals also found its way into two of Derleth's
finest books (or, rather, what amounts to one book in
two volumes): Walden West (1961) and Return
to Walden West (1970). These were described as expositions
on three related themes:
I
On the persistence of memory. II
On the sounds and odors of the country. III
Of Thoreau: The mass of men lead lives of quiet desperation.
Derleth
explores these themes in a succession of prose-poems
alternating with autobiographical fragments and essays
about some of the people living alongside him in Sac
Prairie.
The
prose-poems describe aspects of nature -- a sight, sound,
smell: something that triggers a memory, or captures
for an instant the landscape or village in the midst
of the changing year.
The
essays once again show the pains that Derleth took with
his research into Sac Prairie history, his observations
of other people, and his self-understanding as a creative
artist in the place which provided his inspiration.
Derleth determined to know the patterns of the world
of which he himself was an integral part by choice,
determined to seek and find, yet knowing that what every
man knows about himself and his world is but the most
infinitesimal part of knowledge, and what he can know
about someone else and someone else's world is even
less than that.
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